SistahCraft

Melting Mental Blocks

(Bronx Park "Creek" after the final frost; all pics enlarge)

"From January to April, I don't expect much from myself."

This testament became my emotional blankie, spoken by a wise sister at the Spin City Meetup, a hand-spinning group I belong to.  And as if her words needed reinforcement, the NY Times published an expedient article on self-compassion –– a virtue undervalued in pop society's obsession with criticism. 

OK, what's the connection to this post? Well baby! At times a series of events can have you criticizing your existence.

I had a heck of a fall with 2 more knitted rug commissions, the last one 19' long.  Just in time too, because my knitting machine broke 2 weeks later around Thanksgiving. Stressed but undaunted, I managed to produce my knitted accessories for a holiday trunk show –– the store closed 3 days later.  More bad news I won't list here, then nature took a major dump of snow, snow and snow.  Frozen with perdition, my brain felt enervated. What new year? It looks the same outside! Now I gotta' seek work, figure out what to do, I need, I want, the house, my studio, Mr. K, my machine, parts, money, clients, the future…ARRGH!

Put A Filter On It!

The Wise One's remark revealed I was spinning on the expectation/self-critic whorl. Why?  It's not about me; we're all dealing with nonsense. Hey, the moment you awake back on earth? You're engaged. My sanity at stake, I decided the only thing to do during this period is heal, with verbs that start with the prefix re: replenish, recharge, revive, etc.––you get the picture.

So now that we've caught up, let's catch on.

 Knitting And Spinning Solace

(Mr. K tug-of-warring with our foster dog, Nádine. His hand-spun, hand-knit gloves kept a grip. He won. Boiled wool coat, John Bartlett).

The internalization of a new skill always gives me a boost of self-esteem; currently, it's knitting gloves.

Given the reality that spinning yarn from fiber is yet another craft I've chosen that demands a huge expectation of oneself in regards to time, I concluded the working of a small item could show off my yarn for a quick bit of gratification. It worked! The fiber is Colonial Blue merino from Ashland Bay Fibers, candy caned in the singles with Aqua, then plied*. For glove instructions I turned to Mary Thomas; her book is a good entrance. Upon mastering the basic pattern, Nanette Blanchard's book Glove Knitting, helped me fine tune them for fit. You know, gloves aren't difficult to make and unike socks, won't wear out as fast. And no one bothers you knitting them in public because using double-pointed size 1 needles, you look like either an expert or a crackpot; so go for it––it's gonna become the next big thing. 

Some Quick Blog Notes

(Mr. K and the ladies Nádine and Della, the "it" bull).

Whooooeeee! There's a lot going on, people. With the shards of ice left from winter's grip just about melted and our brains  beginning to bud and sprout, look in the right sidebar for current listings of mental fertilizer. And I've added a Spinner-A-Large column, sharing my explorations in yarn formation for fashion.

My mental blocks are seeping into the ground. I feel good now. As we head toward the real New Year, you can actually observe the inauguration of newness around you. Spring is the compassion the Divine has blessed us with––the chance to be re-born!

The Aliens Have Returned Me!

Where I Was Seen Last During The Summer…

 

(I only got up for a moment; The Silver Spinner, my Ashford Kiwi wheel, custom painted and tricked out to be portable, by the handsome Dave Paul of The Merlin Tree. All pics enlarge.)

Hey there everybody!!!

I want to thank all of you who expressed concern for me. And since I do care about your feelings, I'm not gonna lie––I was not a candidate for the visitors; I was right here on earth.

Honestly? I just didn't have the time to spend online, so I had to take a break. Fall/winter became very busy, between work at the magazine, and my work in knit product development. With the hours I had left, I directed my energies to living, because I am not under the self-help book inspired illusion that one can have or do it all––that's for the deities. And maybe the aliens.

I finished some intense design commitments, then acquired skill in a new medium––hand spinning––in order to refocus my eyes, and find new inspiration. I'm now feeling renewed and refreshed,  just in time for the return of spring! 

But, as the daffodils are moving up, some things have moved on. Here are two announcements, so you won't be unpleasantly surprised when you visit NYC.

Last Stitches

The start of this year has seen the closing of two yarn shops. The first, Yarn Connection (218 Madison Avenue at 36th Street), was a favorite haunt of mine for over 20 years. Arriving at the top of the stairs to Jane Young's jewel box of a shop on the second floor, you were often greeted by boxes of the latest yarns stacked in the hallway; my heart would immediately start to palpitate with cupidity. Her staff was the nicest, both patient and helpful to everyone, and they had the best sale bins for designer yarn in the city. Yes folks, this was where a frugal gal could look good. I admit I didn't go to the final sale. I would've started to cry, embarrassing everyone. For a last look at the shop, go to Heidi Cohen's  Knitted Yarns. Jane, I wish you  the best!

The second to cast off, was Stitches East (55 East 52nd Street, lobby 3). This elusive but spacious boutique, discretely called bitches east by disgruntled patrons, catered to well dressed, advanced knitters and needle pointers who lunched. Indeed, on the rare occasion I stopped in, I was actually treated decently––probably owing to wearing a not-too-vintage designer suit, and running off to meet friends for a sweet lunch at that venerated New York institution, Serendipity.  But, regardless of the mixed reviews, it's still a loss for midtown center––where will the swells stitch now? Perhaps Knitting 321 (321 East 75th Street), will pick up the ball. It's expensive, caters to knitches (from what I've heard), and you can lunch at Swifty's!

Yes y'all, the knitting magpie is back!!

The Last Twister

Slow and Steady, Made The Cardi

(Colored pearl and semi-precious stone necklace, Shimoda Accessories; suede and mock croccodile satchel by Marie Elanne; boots, Dumond; photo by Mr. K; all pics enlarge).

Bonne Marie's Twist, is the first sweater, not of my own design, I've made for myself.

During the 23 years I've been knitting, I generally supported the work of sweater designers by purchasing their garments. Knitting patterns involved labor, and at the time, I had enough of my own work to do. But, once I changed careers, I found I could relax my mind to faithfully and uncritically knit another designer's pattern––and the timing couldn't have been better. The blogosphere has given rise to some very good knit designers, the major benefit being,  I haven't worked for any of them! Now surrounded with a plethora of interesting knits, I looked for precise instructions with no errata (pattern mistakes make me crazy), and a good schematic and/or pattern chart. Twist, gave me exactly what I was looking for.

Twist is a well balanced design in terms of knitting interest, the fringed cable collar giving it a youthful sass. And, it was classic enough not to date by the time I finished. Given the numerous daily deadlines I face at work, why impose any on an art I enjoy? 

I did resist a strong urge to run the cable pattern along the sleeve, and stayed true to the pattern; the discipline was not to re-design or embellish. If you are already knitting someone else's idea, why create more work for yourself?

Anyway, I started knitting this almost a year ago, and finished this past fall. I've worn it on a number of occasions, and it is indeed a chic-knit, receiving many compliments. Now, to elaborate on a few details.

Penny Wise and Button Foolish

I wanted to prove to some of my thriftier knitting friends, that you can make a beautiful and inexpensive garment out of 100% wool, if you're not too lazy to take care of it; knitting is too much of a labor of love, to use a cheap acrylic. Panda Woolbale 8 ply, an Aussie import from the famous Smiley's Yarns, was my choice, and this baby clocked in at $36.00US. So I splurged on the buttons!             

They are copper, with a green patina finish, from an Italian boy's military academy, circa 1940's (no, they are not fascist); from Tender Buttons, 143 E 62nd St NYC, 1-212-758-7004, my favorite source in New York (in Chicago, 946 N. Rush, Chicago, IL, 1-312.337.7033).

Here is a close up of the collar, and my friend's necklace.

The knitting pattern contained no errata, and Bonne's instructions were very easy to follow, accompanied by a nice cable chart and a good schematic drawing, especially important when you are ready to block your finished pieces. I gotta say, it was a good knitting experience, for a pattern virgin––although of course, the key––was to knit a large (8" x 8") swatch in the cable pattern first! Remember, if you don't ignore this step, your sweater won't ignore you!

For a blocking tutorial and a novel way to attach the collar, my tutorial page will be in the sidebar shortly.

Saying Ha-a-a-a-a-a-y!

Knitters At Work

 

Leonor Mamanna and myself; My former "Student of the Month" is now part of the Saartje KAL at work. We are fashionably outfitting the feet of some of the new babies of our co-workers. All pics enlarge).

Girl, How Ya' Livin'?

Although the temperature is 42º at present, and the view of the park across the street looks pretty bleak, my internal clock feels the beginnings of the subtle transition toward spring. Or maybe it's just menopause. Anyway, it's been a minute, so here's a report on my own doings, while the devil's playground has been closed.

Shout Out Time

First, I want to big up a few new subscribers––Pooch2, Brokedown Tiger, and MissDavis! I also say welcome to any new unpublished subscribers! I'm happy y'all think my blog is worth the time to check out regularly.

No Idle Hands; A Onsie for Karen

Ancestors! I'm just in time for the arrival of Tawana's daughter, Karen Joi! Plymouth Encore D.K. Colorspun, is my favorite Acrylic/Wool mix; there's enough wool to give the yarn a nice hand, and the synthetic lends machine wash-ability; the yardage (150 yds) is value for money. The contrast yarn is Knit Picks' Merino Style in Harvest. Three balls of the main color, and 1 ball of contrast color was used.

The original pattern, is from Minnow Knits, Too by Jill Eaton (Pottercraft). Her instructions are clear, there are detailed schematics and excellent photos of a diverse range of tykes. I chose the 3 month size, in order to adapt to the larger gauge fabric my needles (sizes 3 and 6), produced; the finished garment is sized for a one year old. Here's a close-up of the buttonhole and Crab st. finish.

I don't have a vision of a button yet, but I'm sure  Tender Buttons will have a miniature work of art which will leap out at me. I'm considering a duplicate stitch embellishment of Adinkra symbols denoting blessings. Powerful devices, when rendered in a juvenile color––such as the contrast yarn––softens the viewers response, while maintaining the strength of their definition.   

Chante´ Put Me In A Spin

(My first handspun bulky yarn)

A refresher lesson from Chante´ last summer, revived my long dormant interest in spinning. I dusted off my very old Ashford Student wheel––no longer made––then got busy. I now own a new Kiwi, and a Bosworth Journey wheel (for cotton), an adaptation of the original Charka book wheel, endorsed by Ghandi to promote South Asian independence.

My yarn is spun from Halcyon's Corriedale top, using the long draw method, while simultaneously creating thick/thin spaces. The swatch shown, is a rib using size 11's. I tell you, it's uber-lofty,soft, and with excellent memory. Ultimately, my intention is to spin and knit items for myself and Mr. K, and to give yarn as gifts to friends.   

Folks, before I check out, I want to hip y'all to a few interesting people, places and things.

Support the Handmade

My girl Stephanie Syjuco has it going on! Her site Anti-Factory, features beautiful recycled jersey tops that knock the hipness quotient clean off the charts! All are handmade by her, and if you're slow you blow––her pieces sell that fast.

Places To Knit and Crochet

I love Tribal Spears Gallery & Cafe 2167 Frederick Douglass Blvd. (8th Avenue) bet. W. 117th & W 116th; 212-666-6550.
It's spacious and cozy at the same time. There's a nice group seating area that looks like your living room, cubiclesque enclosures along the wall for laptop users and the outer part of this large room is multi-purpose, encompassing a gallery/performance space. Good lighting, coffee and desserts round out the offerings. They're open daily until 8 p.m., and is where the nimble-fingered sistahs of the Harlem Sistahfriends Knitting Circle currently meet. We will be in the building again next Sunday, February 9th, at 4p.m.

Computerized Knitting

I've become a laptop knitter meaning, I now occasionally carry my laptop, in addition to my knitting and other essentials. I wanted an accomodating bag, that would offer seroius protection for my Macbook (felted bags look nice, but to be honest, I don't trust them; New York at rush hour is way to brutal). I was becoming flummoxed by what I thought were the lack of options out there for women. That is, until I hit upon Kate Trgovac's lens, and found a bag that completely satisfied my needs. In fact, there were a number of laptop bags to suit all of my needs. Kate diligently and fairly reviews an amazing number of bags; she doesn't merely reprint the press release, like some other shopping lenses.

Ironically, the bag I chose, is made by Spire. Kate informed that the owner is married to Lexie Barnes, who is, as you know, a primo craft bag designer. Ah, there's that thread that  binds us all again!

A New Perspective Has Arrived!

Check It Out

(Cover, the art of Xenobia Bailey; all pics enlarge)

Forgive my delay in posting of the arrival of Black Purl Magazine's  inaugural print issue; don't worry, it's still relevant.

Why Do We Need Another Needlecraft Magazine?

And one that features people of color? Haven't we moved on? My answer is I don't think so, not in America. Needlework is not immune, from the same prejudices that influence opinion in our society. There are few popular needlework periodicals that I've seen, whose content and contributors accurately reflects this nation's mosaic on a regular basis. And though I'm aware of the financial equation that makes e-zines more conducive to inclusion, as opposed to print (this is one excuse I hear), we all want to put our feet up and enjoy a print edition occasionally. And Black Purl will still maintain its e-zine, so join up.

What about marketing? This is another excuse. Marketing deals with who you see, and that sight is based on perception. However, the birth of great ideas are often the result of this narrow mindedness. Men now have their own needlework mags, meaning they no longer have to wait for a woman-focused publication to produce a special issue for them––and neither do I. On the flip side, I was honored to have had my design accepted for the inaugural issue of Men Knit. So, as far as an ethnic knitting mag––well, why not?

What's In It For You?

Black Purl is choc full of interesting patterns, and articles that render inspiration, advice, and encouragement. There's a feature on Xenobia Bailey, an internationally recognized fiber artist, whose work is only now achieving appreciation from the mainstream art establishment in this country. Contributors include Afi Scruggs, Donna Druchunas, Paloma Parra and publisher, L'Tanya Durante, as well as myself and others. Book reviews focus on global needlework, expanding our awareness of the cross-cultural references of our world. Best, is the inclusion of different types of needlecraft––a little something for everyone.

But Is It All That?

There is room for improvement; but hey, to go from an e-zine to a glossy mag in a year, is an achievement in itself, especially when the editors are all busy sisters and brothers juggling jobs, families, and publishing issues. That said, I give a huge thanks to L'Tanya, Sonja, and the rest of the staff.

Please support the efforts of these amazing folk, in their aim to produce a 'zine online and in print, that promotes our diversity in craft and perspective. It is my hope that soon, the sight of me, or another brother or sister performing any form of needlework will evoke an intelligent exchange, rather than an exclamation of disbelief.